Párhuzamos történetek Characters ô 2

Review Párhuzamos történetek

Párhuzamos történetek Characters ô 2 Ý ➷ Párhuzamos történetek Free ➭ Author Péter Nádas – Helpyouantib.co.uk In 1989 the year the Wall came down a university student in Berlin on his morning run finds a corpse on a park bench and alerts the authorities This scene opens a novel of extraordinary scope and dept In R decades and András Rott who has his own dark record of mysterious activities abroad The web of extended and interconnected dramas reaches from back to the spring of when Europe trembled on the edge of war and extends to the bestial times of – when Budapest was besieged the Final Solution devastated Hungary’s Jews and the war came to an end and on to the cataclysmic Hungarian Revolution of October We follow these men from Berlin and Moscow to Switzerland and Holland from the Mediterranean to the North Sea and of course from village to city in Hungary The social and political circumsta. Vital StatisticsNumber of pages 1133Length of audio version 1 day 18 hours 48 minutesWeight of hardcover edition 33 poundsNumber of significant characters 34Longest chapter title Through the Entrance to His Secret LifeNumber of instances of the word foreskin 34Number of instances of the word Nazi 25Words most commonly appearing in context with frenum taut sensitive tornLevel of necessity to construct an ongoing dramatis personae utmostLink to a great article about this book World Literature TodayMany readers may find this book rather bloated as it is than a thousand pages long but lacks a plotline even remotely related to that of the latest bestselling thriller Plot is not a reason to read this book What Nádas does best is to draw out moments to an extreme degree A few seconds inside the mind of a character may take up the space of five large and dense pages Inversely the few spare action seuences pass in a flurry of words and the reader may miss them if she blinksAnd while there is not a plotline that demands the reader's attention this is a very intense book and demands unflagging attention for other reasons Foremost among these reasons is its structure which resembles most closely that of David Foster Wallace's Infinite Jest Like Infinite Jest Parallel Stories is a fractured neurotic and erudite behemoth and for these ualities each will attract readers of the other As Wallace's reader must continually replace herself in shifting time and space so it also goes within this volume The story vacillates between Budapest to Berlin and jumps in temporal space from the interwar period to the late twentieth century And it does this without warning sometimes within the same paragraph At the beginning of each chapter the reader must diligently investigate where and when she has been placed–a uestion which cannot always be answered straightawayThese are not its only challenging or peculiar characteristics Like Cormac McCarthy Nádas neglects certain punctuation particularly uotation marks Thus each sentence becomes a game of who is speaking now the narrator or a character which can be frustrating or delightful depending on the reader this reader finds it delightful The title Parallel Stories is something of a misnomer Lines or stories for that matter that are parallel are ones that run side by side in either direction infinitely that never intersect with each other The stories and subplots and characters of this book do nothing if they don't intersect with each other They interweave to form an exceedingly intricate tapestry depicting Eastern Europe in the twentieth century One of the major joys of this book is to see a character resurrected from the text after 700 or pages of absence in a context with one of the other characters the reader has come to know intimatelyIntimate is one of this book's buzzwords It is to Nádas's credit that he can make such a huge book feel so intimate He does this with his masterful use of the third person subjective narrative with focal characters constantly changing And there are a lot of characters the reader is introduced to and made friendly with; as a rough count there are at least thirty four significant characters Thirty four characters that seem unmistakably real no less with all the foibles and eccentricities of real people We are made privy to the innermost thoughts of these characters as well

Péter Nádas à 2 Review

Nces of their lives may vary greatly their sexual and spiritual longings may seem to each of them entirely uniue yet Péter Nádas’s magnificent tapestry unveils uncanny reverberating parallels that link them across time and spaceThis is Péter Nádas’s masterpiece eighteen years in the writing a sensation in Hungary even before it was published and almost four years in the translating Parallel Stories is the first foreign translation of this daring demanding and momentous novel and it confirms for an even larger audience what Hungary already knows that it is the author’s greatest wor. REVIEW published in The National November 4th 2011Henry James famously referred to the spate of unwieldy enormous world engulfing 19th century novels that once flooded the literary world and Tolstoy's War and Peace specifically as loose baggy monsters Such monsters are now pretty much a genre Perhaps it's simply that word monster but what critic can resist giving the giant novel that kind of label And let's face it books featuring hundreds of characters suirrelly plot lines or no discernible plot lines at all can be threatening If the 19th century gave us this species the 20th century literary canon was arguably ruled by such beasts Joyce Gaddis Proust Pynchon Mann DeLillo Musil David Foster Wallace; almost every novelist it seems had at least one monster in them Some even had two or threeWith the publication of Parallel Stories Peter Nádas the Hungarian novelist playwright and essayist has unleashed yet another such 1000 plus pages into the world But don't let that scare you Parallel Stories is uite simply the finest literary monster that our young century has produced; it's both a bloated high modernist anachronism and one of the most fully formed arguments for what the novel is still capable of Here finally is a new way forwardOn its English release in 1997 Susan Sontag called Nádas's previous novel A Book of Memories which had been published in Hungary 11 years earlier one of the great books of the century Well this one is betterBorn in Budapest in 1942 Nádas has lived his life inside the maw of his country's monstrous years Eighteen years in the writing Parallel Stories is the first novel that Nádas has published since the collapse of communism he began writing it in the late 1980s and the first by his own admission to be written without any kind of oppositional political intent Unlike many so called eastern bloc authors who struggled to find a voice to fit the post communist world literary and political freedom suits Nádas Unfettered by both state censorship and the need to oppose the same state Nádas has burrowed deeper into the human condition one compromised not only by history but by the body itselfLoosely baggily the novel concerns dozens of intertwined characters and nearly 75 years of European history Hungarians and Germans and Jews and Gypsies; Nazis communists and secret associations of nationalists and spies among many others To attempt an untangling of the threads and stories here would be both impossible and a great disservice to the novel The very structure of Parallel Stories is in itself a refutation of the linear mode of storytelling and at times the novel feels like a film hijacked by its extrasParallel Stories is divided into three volumes and twists itself around two families the Lippy Lehrs and the Dohrings and the untold dozens of connected or possibly unconnected characters that orbit them There is family drama a kinky murder mystery and some of the best writing on war this side of WG Sebald's The Natural History of Destruction The themes and historical periods touched upon are as eccentric as they are brilliant Nazi eugenics opera singing pre war architecture and Bauhaus furniture building the trenches of the First World War the Eichmann papers epileptic bath attendants Jewish lumber merchants Hungarian aristocracy undergarment fetishism in post Wall Berlin the Holocaust criminology perfume acade

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Párhuzamos történetekIn the year the Wall came down a university student in Berlin on his morning run finds a corpse on a park bench and alerts the authorities This scene opens a novel of extraordinary scope and depth a masterwork that traces the fate of myriad Europeans Hungarians Jews Germans Gypsies across the treacherous years of the mid twentieth centuryThree unusual men are at the heart of Parallel Stories Hans von Wolkenstein whose German mother is linked to secrets of fascist Nazi collaboration during the s Ágost Lippay Lehr whose influential father has served Hungary’s different political regimes fo. My first experiment with absurdly long novels ends in abject failure I crawl away into a corner mumbling and drooling Okay you have to say that the central of Europe in the 20th Century was no cakewalk in the park on a lovely spring day with friendly poodles and ickle girls in pinafore dresses turning handsprings and bluebirds over the white cliffs of Dover tweeting oh what a beautiful morning Corrupt aristocracies were replaced by fascism which was replaced by Stalinism So we get miseryfests like The Kindly Ones by Jonathan Littell 984 pages Krzysztof Kieslowski’s ten hour Dekalog and this 1100 page beast of which I could not even manage 120 pages Other GR reviewers sound ominous notes in their excellent and recommended reviews Christopher Plot is not a reason to read this book What Nádas does best is to draw out moments to an extreme degree A few seconds inside the mind of a character may take up the space of five large and dense pages Inversely the few spare action seuences pass in a flurry of words and the reader may miss them if she blinksJosh I'm 500 pages into it and so far with the slew of characters that may or may not be related and time shifts dream seuences and flashbacks I am utterly lostUh ohThere were reasons why I was groaning along with many of the characters who also groan for their own private reasons1 I got an apartment block with a concierge and I began to get introduced at glacially slow pace to each character And not interestingly It was exposition exposition exposition Tell don’t show Man alive this big house with many rooms device is so overused eg London Belongs to Me Life A User’s Guide and hell yes Gormenghast You can think of many examples yourself 2 I got a headache from the awkward cackhanded translation and its hackneyed phrases – The attack laid her low – page 56He was shooting the breeze with his friends – p59She had an aversion to unpleasant scenes – p61And the stilted use of the impersonal pronoun “one” as in “one had to be careful otherwise one could bump one’s head on the low ceiling” The last time English writers used “one” like that was Agatha Christie in 1852 but this is a translation so I dunno 3 One also gets awful sentences like Neither her body nor her soul had any appropriate sense organs with which to comprehend what she was failing to comprehend with her mindUgh That’s horrible It just lies on the page and writhes Somebody put it out of its misery with a spade 4 There are no uotation marks for dialogue Even bloody James Joyce used a dash but for Peter Nadas that would be frivolous This makes a stodgy book even of an effort I understand that later it shifts from third to first person narration on a whim inside a paragraph but I did not get far enough to find that out All this shite makes this book very literaryOther reviewers liked this monster a lot so don't take my word for it but I believe some of them were suffering from literary Stockholm Syndrome which is where very long books are wildly overpraised because the reader has become convinced that the terrorists have a valid case Lawks a mercy